Joanne McNulty talks about the pandemic’s effect on Eurovision and tells us everything we need to know this year’s show.
Michael Freeman explores his dissatisfaction with British music, and explains why he believes American music is better.
Jess Steadman curates a playlist of her favourite songs.
In this eclectic and nostalgic throwback, Ellee Su takes us through the sun-drenched playlist that made up her holiday to Lyon.
Emily Warnham investigates the crossover between Classical mythology and metal music.
Katharine Spurrier and Georgia Austin review “Fearless (Taylor’s Version)”, exploring the impact that this rerecording has and how it compares to the original.
Anushka Shah writes about how musicians have had to adapt over the pandemic, drawing on the experiences of Louis Harrison.
Toby Anderson reviews Lana Del Rey’s latest studio album, detailing its musical qualities and the ways in which it represents Lana’s personal thoughts.
Noah Cohen-Greenberg introduces us to the singer-songwriter Josh Ritter and explains why he deserves more recognition.
Elliot Sturge explores the new genre of hyperpop, and some of its most popular releases and artists.