Gloria Morey looks at the discography of Aurora, the artist behind the smash hit “Runaway”.
An open letter signed by over 1200 church leaders across the UK, including Oxford Ministers Glenn Nesbitt, Andy Young, and Phillip Dixon, warned that introducing vaccine passports “constitutes one of the most dangerous policy proposals ever to be made in the history of British politics”. The cross-denominational letter follows the government’s decision to review whether Read More…
“I was arrested for “breaching the peace” and taken to a holding cell where I stayed from midnight until about 4.30am on Easter Sunday. I was handcuffed. My bag and my person were searched. My belongings, including my phone and purse were taken. When I was finally released, I asked if I would be charged and the officers laughingly told me that I wouldn’t. Essentially, they knew I hadn’t done anything wrong. Isn’t it bizarre that, to them, causing me this level of trauma inspired humour rather than guilt?”
Emerald Ace-Acquah discusses her experience being arrested at a Kill the Bill protest in London.
CW: Sexual assault, sexual harassment, racism, homophobia Image credits: Illustration by Mia Clement for The Oxford Blue Allegations of a toxic culture at Dulwich College reported in The Oxford Blue represent part of a general crisis surrounding ‘rape culture’ allegations facing independent and state schools. The website Everyone’s Invited has collected over 14,000 testimonies of Read More…
Oscar Jelley explores the themes present in Ildikó Enyedi’s 1989 film “My 20th Century”.
Photo by Michelle Mendieta Mean So far in this Column we’ve looked at two issues – climate anxiety, and destructive fishing – both of which provide perfect examples of what Michael E. Mann discusses in his most recent book, ‘The New Climate War’. Mann is a renowned American climate scientist, most famous for his hockey-stick Read More…
Emily Warnham investigates the crossover between Classical mythology and metal music.
Anisah Qausher discusses the damage of internet culture on modern dating and pushes us to love authentically, not for the content consumption of others.
“The consumption of art, post pandemic, will be a very revealing phenomenon: will it be to teach us lessons? Or will it fill the void of processing trauma for a grief stricken population?”
Cormac Malone explores how the art of the coronavirus pandemic might look, and why, unlike Spanish Flu, Covid-19 will remain in the cultural mainstream.
Illustration by Rosa Bonnin.
In the second instalment of her column, Disability Looks Like This, Ellie Redpath describes her experience of sensory overload, and examines how we can make public spaces kinder and more mindful. Artwork by Emer Sukonik.
“Usually I absolutely love a trip to big Tesco – who doesn’t – but if I am alone there or having a particularly bad day it all becomes too much, and not only because the eerily silent and bright lower floor is inherently quite a spooky, liminal space. It’s happened to me since childhood because of my learning difficulties – being neurodivergent means that I’m more sensitive to becoming overwhelmed.”